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If you’re anything like me, you may be feeling a bit blue now that the Season 3 finale of The Gilded Age has come and gone. And if you’re a lot like me, you’ll be missing the sets and costumes just as much as you’ll be missing Marian and Peggy each Sunday.
From the corner of 61st Street in New York City to the famous mansions of Newport, Rhode Island, I can’t help but gawk at the gorgeous, glam interiors behind the balls and the luncheons. And these sets are more than eye candy: They’re a literal physical manifestation of the tension between the “old New York” and the new that drives the entire series. The contrast between the dark academia-style elegance of the Van Rijn household and the opulent pastel paradise across the street at the Russells’ palatial new build says it best, I think.
Throughout this latest season, especially as we saw Gladys contend with the literal and metaphorical dreariness of Sidmouth Castle, I’ve found myself more and more curious about the real history, characters, and relationships upon which the show was based — as well as the real homes in which it is set. I can’t speak fully to the show’s historical accuracy, but after a bit of research and simply recording my own observations as a viewer, I’ve put together a list of what I would call the hallmarks of Gilded Age glamour.
If you’re feeling as inspired as I am after this last season, read on to find out how you might implement some of your favorite 19th-century trends in 2025. I’m calling it: Bertha on a Budget. Someone get me a patent!
How to Get the Gilded Age Look in 2025
Wall Moldings & Gilded Details
Frequent Apartment Therapy readers (and avid Pinterest users) will already know that decorative wall moldings are just as popular in 2025 as they were in showrunner Julian Fellowes’ 1885. But you don’t need to be lucky enough to have a 19th-century New York brownstone to get the look. Brooklyn-based artist Scott Csoke actually painted his own moldings, and two years later, I’m still obsessed with this apartment.
While actual gilded wall moldings have since fallen out of fashion, gilded details are still all the rage when it comes to wall art. The most iconic example that comes to mind is Anthropologie’s Gleaming Primrose Mirror. For a fresh take (and one that’s easier on the wallet), I love these new vintage-inspired wall shelves, also from Anthropologie. A perfect blend of form and function!
Every glimpse we’ve gotten of Bertha’s bedroom makes me want to crack open a can of pink paint immediately. The blush tones combined with the abundance of luxe fabrics — the decadent drapery and that upholstered headboard especially — make the room feel like the physical manifestation of Bertha’s fiercely private softer side.
Again, this room feels both timelessly elegant and right on-trend today. We’ve been seeing drapes used as wall treatments for months now; and even more recently, fabric buntings just like Bertha’s are back in full force as well! I can’t help but think this is another one of many modern trends Mrs. Russell would approve of (along with universal suffrage and no-fault divorce, of course). Try making your own bedroom into a modern sanctuary with richly layered fabrics and upholstered accents in your favorite muted shade.
Bertha’s well-documented love of all things French is actually a historically accurate detail; high-society American women looked to Europe for inspiration for both their homes and their dresses ( … and for their daughters’ husbands). The Gilded Age was known for its Beaux-Arts architecture — a style defined by a combination of Europe’s most extravagant periods — and its interiors were similarly influenced.
We see a definite rococo influence, for one, in Mrs. Russell’s love of pastels and pattern-mixing. Try out a classic toile print paired with a floral pastel rug for a polished, timeless feel.
On the other hand — or, on the other side of the street — in contrast with the Russells’ pastel palace, we also see a lot of dark, moody interiors on the show, like the Van Rijn/Forte household. While Bertha is on the front lines of fashion, a purveyor of all things new and “trendy,” her taste was often referred to in the early seasons as gaudy. Aunt Agnes’ style, however restrictive, was generally considered the more acceptable of the period.
If you, like me, are obsessed with the gorgeous antiques and moody aesthetic of the Van Rijn household, I recommend experimenting with bold colors and rich, warm wood tones. You don’t necessarily need to go so dark — the living room above, shot in a classic Brooklyn brownstone, shows how you can indeed pair wood pieces and detailing with complementary jewel tones, without making the room feel too dark and dated.
Oh, and for a finishing touch, consider outfitting your nightstand with a stylish alarm clock or two in support of our favorite footman — I mean, entrepreneur!
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Hello, and happy Valentine’s Day! Okay, it’s not quite the big day yet, but February 14th is just weeks away, and I’m totally ready to celebrate. Ever since the Christmas holiday ended, I’ve been itching for an excuse to decorate, party, craft – whatever! I wanted to make some cards featuring some of my favorite gals throughout history (some are good, some are bad!), and the captions kind of wrote themselves after that. Click through for these printable valentines!
Materials
Step 1
Print both pages of the printable valentines in full color. Cut each of the printable valentines apart using a craft knife and a ruler (a metal ruler works best) on a surface you can cut into (like a cutting board or a piece of cardboard). Line the ruler up with the edge of the valentine, and press down firmly on the ruler so it doesn’t move. Use the ruler as a guide for the blade, and cut along the ruler.
If you have a paper cutter, you can cut apart your printable valentines using that tool instead!
Step 2
Fold each card in half. To insure you get a nice, crisp fold, lay the halfway point of each card along the hard edge of your ruler. Fold the card over the edge of the ruler, creasing it from the back.
Step 3
Add a bit of glue along the back of each printable valentine, and fold the card shut. Done!
Share this project on Pinterest!
I think my favorite gal in this bunch is Amelia Earhart. I was torn between having her caption read, “You make my heart soar,” and the much, much darker, “I want to get lost with you.” Oh, Amelia. You were a legend.
Jennifer Prince’s work is featured on several national travel sites, such as Travel + Leisure, National Geographic, AFAR, Lonely Planet, and Conde Nast Traveler. She thrives on off-the-beaten-path itineraries and is passionate about finding microstories to bring destinations to life. Jennifer currently lives in Virginia with her husband, and other than travel and writing, she enjoys ’80s music, vintage things, fostering kittens, time with her family, and dreaming about her next Airbnb venture.
After a long day, there’s nothing like unwinding with a nice bath. But did you know that taking a bath used to be a decadent community event? Long before we began designing our dream tubs at home, grand public baths were a staple of many ancient cultures.
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The Indus people may have been the first to create public baths around 2500 BC, before the Ancient Greeks, Egyptians, and Romans began designing their own. Although these serene feats of architecture were renowned in their day, many lie in ruins in the present day.
But if you’re curious about what these baths were like in their prime, QS Supplies has you covered. The online bathroom retailer created 3D digital renderings of what seven iconic public baths looked like once upon a time. Check out four of them below.
The Roman Baths are so fundamental to our modern understanding of baths that a whole city is named after them. Unlike many public baths at the time, these baths featured a naturally heated, larger area for actual swimming, not just soaking. There was also a “dry sweating room” and a series of plunge pools.
Hadrian’s Villa (110 AD)
Definitely the most exclusive bathing house on this list, Roman Emperor Hadrian’s Villa (also known as the Villa Adriana) was used exclusively by the Imperial Family and their inner circle. The sprawling complex spans nearly 300 acres, and was conveniently located within the emperor’s home.
The villa featured pools of descending temperatures for Romans to enjoy. First, they soaked in a hot caldarium, before moving to a warm tepidarium. Up next was a circula sauna called a laconicum. Finally, they would finish off with a cool soak in a frigidarium.
The Roman Baths of Odessos (2nd Century AD)
Location: Varna, Bulgaria
In their prime, the Balkans’ largest public bath stood 72 feet high. Unlike most Roman baths of the time, the Odessos baths were open to women before noon and men in the afternoon. Built with carefully laid stone and brick that insulated guests from sudden changes in temperature, the baths featured statues to a host of gods: Heracles, Mercury, and Victoria, as well as the health and healing gods Asclepius and Hygia.
Baths of Carcalla (216 AD)
This gargantuan complex contained the second-largest baths in the Roman Empire, second only to the Baths of Diocletian (also in Rome). The Baths of Carcalla were free to Roman citizens, and up to 8,000 people per day came to use them. The sprawling baths also housed gardens, libraries, and a temple to Mithra (a pagan religion). They lasted long after the Roman Empire was gone, but were finally destroyed by invading Ostragoths in 537, who cut off the aqueducts that supplied water to the baths.
Head over to QS Supplies’ website to see all seven baths for yourself.
As most house aficionados know, in the early 1900s, Sears (yes, those stores known for selling jeans, tools, and everything in between) got in on the home selling game, resulting in hundreds of Sears “kit” houses and craft homes being built across the United States.
I’d never heard of them before until I bought one. I sent a picture of the house I was interested in buying to my mom, who is a historian of sorts, and she recognized it right away as a Sears kit home.Excited that my new home might have a bit of neat history to it, I started digging to learn more.
I discovered that the Sears Modern Homes program sold 447 ready-to-build, customizable house varieties via catalog to buyers between the years of 1908 and 1940. They reportedly sold around 70,000 houses, and an estimated 70 percent of them are still standing. These “kits” came with almost everything that would be necessary to see the final house built, including nails, flooring, doors, and even the paint (though cement and plaster were not included, nor were electrical, heating, or plumbing systems).
I fell in love with the house for its quaint touches, but once I moved in, I really began to spend time getting to know the charming details — and understand just why these homes are highly prized for their style, workmanship, and durability. Above all, I love the kitsch factor that represents a chapter in American history when things were built well and affordably.
In the case of my home, the style is quite sinuglar. Once I was able to distinguish its notable exterior features, such as columns in the front and the small windows situated on the roof’s peak, I noticed quite a few others like it throughout the rural Pennsylvania neighborhood where it has stood since 1920. Our house, along with many like it, has been remodeled over the years.
Ours has an addition placed in the back, and offers a large pool in the backyard. The layout is extremely user and family friendly, with a spacious attic and basement, decent-sized bedrooms all located on the same floor, and roomy closets throughout the home. The place boasts original glass doorknobs, unique-looking windows and shutters, a solid wood banister, and original doors. It also has ornate woodwork on the front porch and maintains its original sliding “pocket” doors on both sides of the kitchen. (I guess so one can bake in private?)
My mom thought our home bore resemblance to the Castleton model, but it appears to have features of the Hillrose as well. As these homes were highly customizable, it wouldn’t surprise me if the original 1920 owner mashed the two together.
Though many Sears kit homes have been customized and heavily remodeled over the years, some markings identify that the house is. For instance, in a Sears kit home often has stamped wood in unfinished areas like the attic. I looked in some unfinished areas of my home to see if I could find any of these markings, and I haven’t been able to locate them, yet. While I’m certain that it’s a Sears home due to my mom’s identification and to the fact that it bears a stunning resemblance to the images I’ve found of the Castleton model, I do intend to research the mortgage document history to confirm that it’s a Sears, Roebuck and Co. home. I may even opt to list in the National Registry of Historic Houses, as other kit house owners have done.
My home is large, sturdy, and lovely inside and out, and is adorned with many quaint features. The lumber used on many of the Sears homes was virgin wood, pine in some cases (I believe this to be the case with our house), resulting in a strong home that’s built to last. I would have never guessed a house ordered from a catalog in the ’20s would fit that bill, but I’m sure glad it has.